Check out this beautiful playlist created by WOBC’s outreach workgroup! These are the favorite spooky songs of the outreach team here to help you enjoy your halloween and keep the spirit up as we enter november!
Leatherface -The Final Nightmare
Sarah Jessica Parker -Come Little Children (from Hocus Pocus)
Tomasa Del Real -La Vampira
Kitchen & the Plastic Spoons – Ice Cream to God
Bobby Pickett -Monster Mash
Antsy Pants -Vampire
Tim Burton’s The Nightmare Before Christmas Intro -This is Halloween
R.E.M and Sesame Street -Furry Happy Monsters
The Misfits -Ghoul’s Night Out
Gravediggaz -Mommy What’s A Gavedigga?
Primus -Coattails of a Deadman
Thanks for listening! Tune in to hear Community Hour Sundays @1pm and Turn Up! The Radio with the Ty Squad Tuesdays @5pm !!
The Edge of Light // Gloria Cheng and Calder Quartet // Harmonia Mundi UK — Radiant sonorities by Messiaen and Saariaho, including Saariaho’s Prelude and Ballade, two works for solo piano.
Le Cirque // Anderson-Fader Duo // Furious Artisans — Contemporary classical played by guitar duo with refreshingly catholic tastes, from Wuorinen to Lang. Despite this variety, the album holds together well — maybe because things can’t help sounding good on guitar duo, including a haunting Gillian Welch arrangement here.
Handel: Bad Guys // Xavier Sabata with Il Pomo d’Oro and Riccardo Minasi // Aparté — Grab bag of villainous Handel arias, incongruously written for the warbling counter-tenor range. Sabata sings strongly and expressively, but he’s not going to make anyone quiver in their (historically informed) boots.
Haydn: Piano Concertos, Nos. 3, 4 & 11 // Marc-André Hamelin with Les Violons du Roy and Bernard Labadie // Hyperion — Remarkably clear and lively performance, though Hamelin’s playing is sometimes too dry & distant for my taste
My favorite band, Girls, broke up this summer. I wasn’t too distraught, because I held the hope that the two guys in the band would continue making music, but it was still upsetting; I had no idea what was next for Girls, so as a fan, I was in limbo. I was mainly focused on news from Christopher Owens, the lead singer and primary force behind Girls’ success. Aside from a few twitter posts from his account “Cri55yBaby,” there was no real news. It wasn’t until October that Owens resurfaced, announcing his intent to release his solo debut Lysandre in January 2013.
The only tracks from Lysandre released to this point have been “Lysandre’s Theme” and “Here We Go.” In my opinion, both tracks are successful, yet it’s necessary to acknowledge that musically, Christopher Owens solo project isn’t really similar Girls. Sure, the singer is the same, but the instrumentation is very different, with Owens citing classical guitar as one of his inspirations. It shows. “Lysandre’s Theme” is an instrumental, consisting of Owens on guitar, with a flute laced through the track. It provides an effective transition to “Here We Go,” in which the flute serves as continuation. Owens opens with guitar, largely similar to Girls’ “Just a Song,” before providing vocals, about 20 seconds into the new track. Hearing Owens’ voice for the first time provides relief and familiarity, and for a moment, it’s like Girls are back again. This nostalgia primarily was at the 2 minute mark, in which Owens solos on electric guitar, but it’s only for about 10 seconds.
Although there is only a glimmer of Girls in Christopher Owens’ solo project, fans should still find solace lyrically. The themes of heartbreak and love, focuses central to Girls’ prior success, are still present, and Owens still is able to convey the multitude of emotions he encompassed while still part of Girls. “Lysandre’s Theme” and “Here We Go” are both definitely work checking out, they’ll get you through until the album’s release.
Recent additions of note to the WOBC classical collection:
JAKOB KULLBERG W/ SZYMON BYWALEC, NEW MUSIC ORCHESTRA: Momentum: Nordic Cello Concertos (Aurora) — includes Amers, a lush piece for cello, orchestra, and electronics by the never-disappointing Kaija Saariaho.
JONNY GREENWOOD: The Master: Original Motion Picture Soundtrack (Nonesuch) — Radiohead guitarist once again demonstrates his composing chops with his work on a P.T. Anderson movie. Warm, organic compositional voice, sometimes mixing in just the right amount of paint thinner.
MICHAEL TILSON THOMAS, SAN FRANCISCO SYMPHONY: American Mavericks: Cowell, Harrison, Varèse (SFS Media) — iconoclastic American music, feat. Oberlin alum Jeremy Denk on the Henry Cowell Piano Concerto. [soundcloud]
SONAR QUARTETT: Walter Zimmermann, Songs of Innocence and Experience (mode) — works for string quartet and solo strings, sometimes with drones, tape, or voice. Folk melodies and children songs, seen through an avant-garde lens.
EDDY VANOOSTHUYSE W/ PAUL MEYER, BRUSSELS PHILHARMONIC: John Corigliano, Elliott Carter, American Clarinet Concertos (aeon) — rewarding Belgian take on two engaging late-20th century American clarinet concertos.
THE KING’S SINGERS: Royal Rhymes and Rounds (signum) — crisply sung a capella vocal works centered around British monarchs, released for the Diamond Jubilee. Includes some works by Henry VIII — perfect Bring Up the Bodies reading music.
Party at the end of the world! Everyone’s invited! Prince Rama’s greatest hits album got tarred and glittered and then electrocuted itself during a bubble bath. Huge, glamorous production — so obsessed with itself…deprived of oxygen from too much hair gel. A+++
Surprise! Chillwave is still not over. And I am totally OK with it, and all of that funky/fuzzy synthy bouncy poppy-pop that this CD brings to the party. FYI: pronounced “on you in you,” which makes sense, sort of.