With an all-star (and fully original) lineup that counts among its ranks multi-instrumentalist and producer Colin Marston (Gorguts, Dysrhythmia, Behold The Arctopus, etc), ever-busy bassist Nick McMaster (Geryon, Gath Smane, ex-Castevet), endurant skinsman Lev Weinstein (Geryon, Bloody Panda), and outre solo guitarist Mick Barr (Octis, Ocrilim, Crom-Tech), New York’s Krallice are nearly a supergroup at this point. The USBM pioneers have always possessed a single-minded drive for the experimental, drawing from yet ultimately eschewing both the riff-heavy paradigms established by the Scandinavian black metal progenitors and the occult dissonance of newer European BM. This approach is manifest in Krallice’s preoccupations with texture, atmosphere, and spontaneity, and it’s one that’s rendered the band controversial in the eyes of black metal traditionalists. But whatever your opinions may be about Krallice’s music, you can’t deny that it’s something different, and it’s only become more so over the last few years. The band’s last album, 2012’s Years Past Matter, saw the band traveling further outside the realm of BM conventions, incorporating clean guitars and a notable increase in aggression. WOBC Metal recently spoke to guitarist Mick Barr, who touched on some of the background of the group as well as on Krallice’s current pursuits and future plans.
It’s been almost 7 years since the first Krallice record came out. What do you think has changed most about your sound since then?
Our lives have evolved, and our brains and music must follow suit. However, our working methods haven’t changed much. We still write music using roughly the same methods; one of the 3 songwriters will bring forth a skeleton, and all 4 of us will write to it. We still practice and record at Colin’s studio Menegroth. We still have roughly the same gear. Writing-wise, we have been allowing more of our personal styles to rear their heads in our music: more death metal, more technicality, less repetitive black metal structuring. And I suppose the biggest change since the first album is Nick McMaster no longer just does “additional vocals”…
You all juggle a number of different side projects. Is Krallice your collective first priority?
It seems like first priority usually goes to the band/project that books the individual member’s time the furthest in advance. This band is very important to all of us, but we aren’t the type of people to limit ourselves to one particular priority. Music is our first priority, and it takes many forms. And i don’t think any of us views anything we do as a “side-project”. However, Krallice is my personal first priority as far as “bands” I’m in. But I’m in way less bands than the other 3 members in Krallice, so I sometimes lament the lack of prioritization while we discuss scheduling.
One thing I find striking about your records is the sonic clarity that you achieve. How does this translate to a live setting? Does anything get lost?
It seems to translate alright I guess. I strive to not worry much about live sound, as it seems to be a losing battle. I’m sure many things get lost, but many other things get found in the live setting. Things that might have been a bit clouded in the recording might ring louder. Also, how riffs are played evolve over time, which only gets a chance to be shown while being performed.