The Mosaic is a covers show that airs Monday mornings at 1AM (Sunday late night). Tune in next time!
Last week we compared Elton John versus Ellie Goulding with their renditions of “Your Song.” It’ll come as no surprise that Elton John was voted to be the better half of the pairing. Goulding’s version of John’s song adds in this cool electronic element and makes it her own. While Goulding successfully held her own against the pop icon, John’s version had more heart. Which is understandable considering he wrote it.
This Week: This Woman’s Work
This week’s song was originally written and recorded by Kate Bush, a musician from Kent who’s big break came in 1978 when the song “Wuthering Heights” topped the UK Singles Chart for four weeks. Some of the songs on her first album The Kick Inside were written when she was thirteen which is, you know, pretty early. She had a very successful career before deciding to take a year off in 1993. That year turned into twelve with her career restarting in 2005 with the release of Aerial. Her 2011 album Director’s Cut contained a couple of re-recorded songs with changed lyrics—“This Woman’s Work” included. She remains an influence today with everyone from Placebo to Pat Benatar attempting to cover her songs. Coldplay’s “Speed of Sound” was originally an attempt to recreate her hit “Running Up That Hill.”
I guess that means Greg Laswell finds himself in good company. About Greg Laswell. Ahem. He started out as the frontman for a band called Shillglen. At the 2000 San Diego Music Awards, the band was nominated for Best Alternative Album and Best Alternative Band, but otherwise received very little acknowledgement. In 2001, Shillglen disbanded at Laswell’s suggestion. Laswell went on to be an alternative rock superstar (Do they have those in alternative rock? Well now they do.) and has been recording music on his own ever since. A lot of his music gets put into TV shows—I would assume because his music is unassuming and kind of, well, sad. Laswell said that his latest album Take A Bow differs from his other music because he wasn’t miserable when he wrote it. Also, fun fact: He’s married to Ingrid Michaelson. So yeah. There’s that.
Every semester WOBC hosts a filing “party” in the station, with the goal of tidying up our 35,000+ item music collection and implementing new and better organizational systems. This gathering allows the station to continue to function properly, and keeps our library in useable shape.
This semester is no exception!
On Friday, April 13th (!) from 2:30 to 6pm, everyone is welcome to join the WOBC Board, Staff and DJs (who will be there because this is a mandatory event for them) as we explore our vaults, start putting labels on things, sort through tons of 45’s, have fun, and of course, re-file.
Snacks may be provided, and everyone who works for at least forty-five minutes will get a special gift.
I recently discovered this 2010 EP released by McFabulous, the alter-ego of a certain Chicago-based producer and Oberlin alum. Now, don’t get me wrong, I had heard of McFabulous before. He’s practically a legend. But he’s allusive. I once stumbled into a few s(l)ick beats labeled “McFabulous” floating around the iTunes library of an iMac in an internet cafe in Teaneck, NJ sometime in 2008. But there was no way to tell if those were ginuwine or not. So, it was to my surprise and amazement to find this gem surfing the internet just this year.
If you’re not already sold on McFabulous based on the cover art then I suggest you just walk away right now. It only gets better. Really, you just gotta listen to “Hobby Shop.” Beware, you might have to listen on repeat.
The Spring Program guide is now available! Grab one at the Oberlin Public Library, Slow Train Cafe, Mudd Library, the Mail Room, Decafe, or at WOBC. You can also download the pdf by click the image above. Great for planning your schedule around your favorite radio shows or covering up that hole you accidentally created in your wall last week last time you listened to punk night. Illustration by MJ Robinson.
When Matt Miller went to Oberlin he was Music Director and Punk Director here at WOBC and played in so many rock ‘n’ roll bands that he was basically responsible for almost all the fun I had in Spring ’09. Now two of his bands’ 7-inch records have arrived to the WOBC punk vault! Both released on Teen-Age Riot, they are killer additions to our collection.
Based in Portland, Oregon, the No Tomorrow Boys remember why seventies punk rockers wanted to look like greasers. They have hairdos! They have matching leather jackets! And they’re punk as heck.
The Miniskirts and the Itchies were a couple of Matt’s Oberlin projects, and these tracks were recorded here in town. “That’s Cool, That’s Trash,” fronted by the Miniskirts, is one of my favorite songs of all time not just because of lines like “There ain’t gonna be no kissing on the dance floor (that’s trash!)/There ain’t gonna be any dancing on the kissing floor (that’s cool!),” but also because punk rock with lady vocalists that is especially for dancing rules. As a matter of fact, all of these songs are especially for dancing and we should all dance to them.
Alain Johannes, who is most commonly known for his work with Natasha Shneider and Jack Irons of the band Eleven, recently released his solo debut, Spark. Johannes is a well-known guitarist and producer in the music industry as he has worked with various prominent groups including, Queens of the Stone Age, Them Crooked Vultures, Mark Lanegan and Chris Cornell. Johannes gives a wonderful and impressive collection of tunes that together are under thirty minutes. He uses a diverse number of instruments including his homemade cigfiddle, a harmonium and a contrabass guitar. Spark is dedicated to Johannes former wife and band mate, Natasha Shneider. Throughout this short album, he explores ways in which to deal with the loss of his partner. It’s a touching reminder that sometimes, we are lost without the ones who are close to us, but find a way to move on with that love.