From the Vault, vol. 274

WOBC has a lot of records. It’s a well-known fact that if you line up all the vinyl the WOBC vault has, it will circle the equator three times. If you stacked all of the records on top of each other, you will reach the exosphere. The weight of all of our vinyl will crush the Eiffel Tower. The combined speed of the RPM of our vinyl is enough to go back in time. So what to do with all these records? Well, sometimes they sit around on the third floor of Wilder — lonely… unseen… untouched. Sometimes, though, they get taken out and played on air! And sometimes, they’re corralled and examined and analyzed by “Vinyl Workgroup,” or “those geeky losers.” Well here’s a quick sampling of stuff you might not know is in the WOBC vault…

So the vault has, among other things, an incredible selection of Anthony Braxton records, something like 10 or 15 of his most important stuff from the 70s and 80s. This is fantastic. “For Alto” was maybe his first big record, from 1968 — it’s more than an hour of just him and a saxophone. An alto saxophone. I’m bad at writing about music I like, so I’ll just give it to you. This one is “To Pianist Cecil Taylor.” (We have some of Cecil in the vault too.)

Anthony Braxton – To Pianist Cecil Taylor

There’s this section at the end of all the pop stuff that’s called “Anthologies.” Mostly it’s record companies in the 60s and 70s sending samples of their artists to WOBC. Warner and Reprise happened to do one of these in 1971 called, for whatever reason, “Non-Dairy Creamer.” There’s usually a reason these people needed some extra publicity on the labels’ parts, but it’s always a great artifact. Here’s a prog-rock band called “Curved Air,” and it quickly becomes pretty obvious that the song is called “It Happened Today.”

Curved Air – It Happened Today

Clarence Clemons made a solo album. He actually apparently made quite a few, and of course in the vast ocean of mostly anonymous, mostly mediocre 80s rock the vault contains it would stand to reason that you’d find a Clarence Clemons solo album. This one is from his debut effort, with “The Red Bank Rockers.” This song’s called “A Man in Love,” and yeah, it kind of sounds like Springsteen. It’s not bad.

Clarence Clemons – A Man in Love

WOBC DJs — there’s more in the vault that awaits your discovery!

Show of the Week: The Real Nitty Gritty

For this week’s Show of the Week, we turned to the Real Nitty Gritty, a rockin’ show hosted by duo Tania and Thomas.

Here’s what they had to say:

1. How would you describe yourselves?
Thomas: a howlin’ rock and roll werewolf
Tania: the Devil Bat’s daughter

2. How would you describe the show?
60 minutes of the True rock and roll hoodoo, the vinyl voodoo, the hip shakin’ nerves a quakin’ primitive spew, the untamed and the unhinged — all the way from us to you

3. What inspires you to do your show?

4. What are you listening to RIGHT NOW?
Seeing as it’s Sunday: Archie Brownlee and The Five Blind Boys of Mississippi

5. What is your favorite show on WOBC?
Cuttin a Rug at the Proto Punk Party Place (Cruddy Holly)

6. Favorite foods?
“The Greasy Chicken” and “Bacon Fat”

7. Favorite holidays?

8. Final thoughts?
the zoommeratin alphabet

Be sure to check out The Real Nitty Gritty on WOBC, Tuesdays at 10 PM.

TOP 30 11/15

The Top 30 is a weekly section of the WOBC blog where we highlight the 30 most-played new albums each week. Check out what our DJs are spinning!

4 WHY? Mumps, Etc
5 CLAMS CASINO Instrumental Mixtape 2
7 PATHOLOGY The Time Of Great Purification
8 CAN The Lost Tapes
9 HOMOSTUPIDS New York Jammin’
10 SIC ALPS Sic Alps
11 KENDRICK LAMAR Good Kid In A M.A.A.d City
12 GUIDED BY VOICES The Bears For Lunch
13 ODDISEE People Hear What They See
14 EMERALDS Just To Feel Anything
17 TOM ZE Tropicalia Lixo Logico
18 SUN KIL MOON Among The Leaves
22 NON/BOYD RICE Back To Mono
23 EL PERRO DEL MAR The Pale Fire
24 ELI KESZLER Catching Net
25 TALK NORMAL Sunshine
26 DUM DUM GIRLS End Of Daze
27 PINK REASON “Ache For You B/w Darke Mexican Summern Daze” [Single]
28 DAN MELCHIOR The Backward Path
29 TAMARYN Tender New Signs
30 FRESH AND ONLYS Long Slow Dance

This Weekend in Oberlin: Genesis P-Orridge, Traxman, Scopitone Party

An action-packed weekend of musical events is coming up this weekend in Oberlin. On Friday night at the Sco, Genesis P-Orridge of Throbbing Gristle and Psychic TV (pictured above) will be performing accompanied by Oberlin’s own Aaron Dilloway (!!!). An opening set will be performed by Robert Turman (former member of Non). In addition to the show, Genesis will present their lecture in Mudd 050 entitled “Breaking Sex” Saturday at 4 PM. More information can be found here

Saturday night Traxman and Deejay Manny perform at the Sco. Footwork music’s been popular on the airwaves this year, and these two guys are some of the best in the game. This one is not to be missed! Free for students, $5 for non-students. More information here
>>>>>>>editor’s note:

On Sunday, the Feve will be transported back to the 60s during the Scopitone Party. Scopitones were 16mm film jukebox machines used mainly in Europe in the 1960’s and were the precursor of music videos. Lots of Goofy Rock and Roll, Go-Go Dancing, French Pop Ye-Ye, and more. Free.

Cover Band Showcase Follow-Up: Shakir A’neal

The cover band showcase was great. Not only was it fun, but the bands seemed to have genuinely put some work into actually sounding good. I can’t say I had any favorites, but the Shakira cover band, Shakir A’neal sounded awesome.

Maxim and Carla, hanging out.

After the show, I caught up with lead singer, Carla, and lead Guitarist, Maxim, and asked them a few cover band related questions:

Why did you choose to cover Shakira and how did the band name come about?
Max and Carla were sitting out in wilder bowl, postponing our midterm studying, and as soon as we started talking about the cover band show case, we immediately thought of Shakira. We knew the energy was right. There were really no other options, just Shakira. It was perfect. We asked a few passerby if they’d be in the band. None of them ended up in the band. But they were all extremely interested.
The band name is just a hybrid between Shakira and Shaquille O’neal. There’s really not much to it.

What songs did you cover and why did you pick those particular songs?
We covered “Wherever, Whenever,” the Spanish version of “Objection (Tango),” and “Hips Don’t Lie,” which medley-ed into “Underneath Your Clothes.” The first song was a given. For the second song, we thought it was necessary to do a true Spanish ballad, given that our singer was well versed in Spanish, and Shakira herself is practically fluent. “Hips Don’t Lie” was a crowd pleaser. And then Max was hanging with a Shakira fan late into the night at Tank, and she expressed the need for “Underneath Your Clothes.”

What was your general impression of the cover band showcase and how did you feel about your performance?

Wow! Wow! Wow! We wished that we could be more aggressive in the venue, but given the floor was nearly breaking, we understood that this wasn’t an option. Other bands were great. [We] couldn’t hear any vocalists. Maroon Four killed it. We really messed up “Hips Don’t Lie,” but the crowd was too drunk to care, so that was awesome.

Will we see Shakir A’neal again?

You’ll definitely see us hanging out on campus. And we might not all be together again, but individually you’ll definitely see us.

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