03.20.2013

IAN NAGOSKI lecture + listening session TOMORROW 3/21

Widow's Joy
Join us TOMORROW, THURSDAY MARCH 21ST for THE WIDOW’S JOY: PRIDE, GENIUS, GRIEF & LIES!

Oberlin Concert Board and WOBC present a lecture and listening session with Ian Nagoski:

Record producer, music researcher, and writer Ian Nagoski specializes in early 20th century recordings in languages other than English. In the past five years, he has produced collections for the Dust-to-Digital, Tompkins Square, Important, and Em record labels, as well as his own Canary imprint (manufactured and distributed by Mississippi Records of Portland, OR). In the past 12 months, he has produced six new LPs of music from India, Anatoalia, Greece, the Levant, and Eastern Europe, as well as a “global view of the rise of rock n roll, 1942-61.”

His new lecture, titled The Widow’s Joy: Pride, Genius, Grief & Lies from International 78rpm Recordings, seamlessly presents recordings from the the mid-1910s to 1950 across a wide geographic area. Musicians, famous and obscure, “classical” and “folk” alike are presented side-by-side as Nagoski describes one life after another of a creative person whose biography was marked by displacement, tragic circumstance, great opportunity, and forces of history beyond their control. In the process, Nagoski shares rarely-heard and deeply touching performances, some joyous and some heartbreaking, while asking questions about the value of life and meaning of music.

“Like [Harry] Smith, Nagoski is a Walter Benjamin visionary, using his collection of 78s to hallucinate a history that actually happened but which remains hidden beneath official dogma and nationalisms.” – Marcus Boon, the Wire

“I was entranced. I was FASCINATED.” – Henry Rollins, KJFC

“his work is so rare and important that it should almost be treated as a ritual object, a pathway to the past and a voice for ghosts of a forgotten part of American musical history… He is not an academic, but a street corner preacher. His milieu is probably a bar or rock club as much as it would be behind a lectern, but that’s the point of someone like Ian. His work lives in two places at once: in the mind of the academic and in the heart of the public. For that reason alone, he is special.” – Nate Wooley, Sound American

“work of great beauty.” – Jace Clayton, DJ /rupture, WFMU

“It’s almost in a mystical way. He’s not just talking about: ‘Here’s this item I own.’ When he talks about or writes about these items, they’re discs that can really transport you.” – Ben Chasney, Six Organs of Admittance

“as essential to an understanding of American music as anything else.” – Amanda Petrusich, Pitchfork

“a beautiful and labyrinthine Americana, one that stretches confines of the definition of the word itself.” – Thom Jurek, AllMusic

“enigmatic, haunting, transfixing, and just plain odd.” – Brett
McCabe, Baltimore City Paper

Craig Lecture Hall // Oberlin Science Center 2nd Floor // 7PM // Thursday, March 21st

03.19.2013

Buy and Sell Records, CDs, Tapes and Trinkets at WOBC’s Annual Block Party!

 

block10 On Saturday April 27th from 1-4pm WOBC is hosting our annual block party in Park Street Park! (Potential rain date Sunday April 28th)

This year we’d like to host a record sale and flea market and we’re calling all music enthusiasts and eccentric collectors to help us. We need vendors! If interested, contact outreach@wobc.org.

The block party will also feature a 3 vs. 3 basketball tournament, four-square, performances and DJ sets by local artists, food trucks, and an open chess tournament. To register as a basketball team, just email outreach@wobc.org.

The block party is free and open to everyone so please do come out for a day of family fun in support of your local radio station.

PS – don’t forget to register yourself and two buds as a bball team.

03.18.2013

Submit to the WOBC Zine!

zinePOSTER

Hope you all got a chance to check out the first issue of the WOBC ZINE at the end of last semester. The next issue of the Zine will be coming out in early April, and is looking for submissions.

Submissions are due at midnight on Sunday April 7th. Please email all submissions to promo@wobc.org.

Submissions may include ((but are not limited to)) themed playlists, comics, art, album reviews, photographs, essays, interviews, show calendars, reviews of shows… etc., be creative. Anything radio related goes.

03.18.2013

RIP Jason Molina of Songs: Ohia and Magnolia Electric Co.

Jason-Molina

Lorain native and Oberlin alumnus Jason Molina passed away at the age of 39 this past weekend. Molina began his career as a heavy metal bassist in the Cleveland area, and went on to play a major role in Secretly Canadian Records’ rise to prominence. Molina released his self-titled debut LP in 1997 as Songs: Ohia and continued releasing records under this name until 2003, when he released his most critically-acclaimed album “Magnolia Electric Co.” Though Molina did not ever DJ his own show on WOBC, alumnus Eoin Russel states, “Jason and I would cover radio shows when people canceled. We’d play really bad classic rock from the 70s, and metal. We would get lots of complaints on the phone. I don’t recall him having his own show.” Some things never change around here…

Present WOBC DJs should fill the airwaves of Lorain County this week with tracks by Songs: Ohia and Magnolia Electric Co and check out the great photo located in the basement of Wilder of Songs: Ohia playing live in the ‘Sco. We offer our condolences to all of Jason’s friends and family. RIP.

03.15.2013

Show of the Week: Infinity III: Supreme Peak

nagual
dj ian mccolm (r) playing with his band, nagual, in studio b.
******
when i met ian as a freshman in dascomb, i was immediately impressed with his breadth of musical knowledge and passion. three years later, ian’s show infinity iii: supreme peak is among my favorite shows at wobc. tune in tuesday nights @ 11pm for an eclectic mix of mindblowingly lush transcendental jams.
-arielle, program director
******

Hi Ian! Tell me about your show. What kind of music do you play? Are there any salient themes? 
My show is centered around music that I consider transcendental or of a spiritual nature. Not necessarily religious music, but music defined by its ability to inspire ecstatic states. A large portion of this is, what some would call, world music (Indian Classical music, African ceremonial music i.e. Gnawa healing music and East African “witchcraft” music). However, there are American and European performers that figure heavily into this definition for me; many of whom would be considered ambient or “drone” music. Terry Riley, Pelt, LaMonte Young, Charlemagne Palestine, and some of Brian Eno’s work all come to mind. The rest of the music for the show is comprised of pieces by musicians I’ve met on my travels who have evoked that same ecstatic state in their performances. In this category, I would include Sun God and Thousand Foot Whale Claw from Austin, TX and Diamond Terrifier from Brooklyn. Also, I primarily try to rely on my collection of analog recordings (cassettes & LPs) for material in order to assure myself that the majority of the music I play is new to the listening audience.

What’s one song or album you’re super into right now?
I have been listening to a lot of different music recently but I’ve only been stuck on a few records recently. My buddy Dan turned me onto a record called Don’t Forget to Boogie by the Japanese guitarist Tetuzi Akiyama which is really amazing. Akiyama is primarily known for his acoustic material and on this record he goes electric. The album is all fuzzed-out solo guitar with the exception of one acoustic track. The majority of material on the record is Akiyama alternating between pentatonic blues shredding and heavy boogie riffs. The first track “It’s a Boogie Thing,” is introduced by licks that sound like B.B. King on speed. The track eventually settles in a blues shuffle vibe on one chord that never changes for the rest of the song. I really love this record because the riffs take on new meaning when repeated for these extended lengths of time. The listener starts hearing all the upper harmonics that are being expressed due to the fuzz and the rhythm of the riffs takes on a hypnotic quality that really appeals to me.

What’s your favorite show on WOBC?
It’s pretty hard for me to name a favorite show. I really love Chuck Ryals show, “Chameleon Radio.” He’s such a great person with amazing taste is music that I love to tune in and hear new stuff. I have to give a shout-out to “The Real Nitty Gritty” with Tania and Thomas. Those guys have had the show before me two semesters in a row. They always have a killer playlist and they spin off of wax 100% of the time.

How do you see yourself/your show fitting into the broader context of community and independent radio and its importance?
Honestly, I try not to think about how much show fits into the broader context of community radio. I’d rather relate to that on an individual level. In my own life, the radio has always served the purpose of broadening my musical horizons and surprising me with quality music when I least expected it from the rest of society. Fundamentally, the most I can hope for, in terms of my relationship with the community & community radio, is that my show brightens someones day, makes them think differently about music and/or life, or transports them to another mental plane. In the simplest possible terms, if I communicate with one person through the airwaves, I have given back what radio has given me.

Do you have a favorite WOBC memory?
I have some great memories at WOBC. However, I have to say that one sticks out as my personal favorite. I had just started doing my first show freshman year and was looking through the vault for some British punk that I hadn’t heard yet. The station manager, Jesse Montgomery, came up to me and asked what I was looking for specifically. I told him and he took me through the whole compilation section of the CD room pulling out stuff that fit my description. That was when I realized how welcoming the environment at the station was and how serious everyone was about music. I think this was a seriously formative experience for me. It was good to see that there was a community in the college that was so musically invested but didn’t have all the academic baggage and jargon that the conservatory has. It was loving music for the sake of music. I don’t know why I react to that memory the way I do, but that’s a reason that I have tried to stay a member of WOBC since then.

Do you have anything else you want to add? Are you working on any interesting projects?
Right now I’m involved in a multitude of projects. I have 3 or 4 cassette releases coming out this Spring/Summer on my tape label, Pidgin Records. One of my bands, Nagual, is recording a full-length LP over Spring Break. I am completing an extended work for solo percussion and electronics which I toured on selections of over January. My friend Ross and I will be performing freely improvised accompaniment to silent films at Mahall’s in Lakewood on Saturday. After graduation, we will be doing a short tour of that material. In addition to all of this, I have to make sure I graduate and pass my classes.

03.12.2013

Staff Picks, March 12, 2013

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Here’s some of what the WOBC staff is listening to this week:

Brian Becker, station manager: LARRY HEARD PRESENTS MR. WHITE The Sun Can’t Compare

Arielle Edelman, program director: TETA LANDO Muato Wa N’gingila
a social-justice oriented musician from angola. i got the song from a larger compilation of 60s african garage rock called cazumbi, which i would highly recommend! real jangly n nice.

Ryan Caruso, engineer: SEIGE Conform

Aaron Braun, treasurer: THE RAINCOATS Fairytale in the Supermarket

Nick Plett, assistant engineer: THE BEETS You Don’t Want the Kids to Be Dead

Harlee Ludwig, pop: VANITY 6 Nasty Girl
Prince created this. ‘Nuff said.

Emily Schkolnick, vinyl: RICHARD AND MIMI FARINA Mainline Prosperity Blues

Mark Mortiz-Rabson, metal: INTER ARMA The Survival Fires
Atmospheric, blackened death/doom from Richmond, VA. Reminiscent of Ulcerate.

Madeline Meyer, punk: THE SPITS All I Want

Jack Lazar, hip hop: OG DUTCH MASTER Raw Dope
Been listening to this all week. The sample is “Every Single Night” by Fiona Apple — I love imagining these guys bumpin’ Fiona Apple in the lab.

Cole Evelev, traffic director: JASON HOGANS Warmfuzzy

Emily Weber, promotions: EKOPLEKZ Dead Escalator Suite

Eve Peyser-Sappol, promotions: THE TEMPTATIONS Fiddler on the Roof Medley
I’ve been obsessed with this mix my dad’s friend, David Suisman (former WFMU DJ/history professor), gave him called “Black Sabbath,” which is a compilation of black musicians covering Jewish songs. Out of all the song on Black Sabbath, I think this one has the most ‘insane’ mix of sounds. To listen to more weird songs, listen to my radio show, Beer in my Bed, Thursdays noon-1pm on WOBC. xox, Eve

Amanda Mummery, outreach: AL STEWART In Brooklyn

Alex Tell, webmaster: ELIZABETH COTTEN Shake Sugaree

Sophie Kazis, news: X-RAY SPEX Germ Free Adolescents

stay tuned for more staff playlists to come.

03.12.2013

TONIGHT: Cult of Youth + BLK’D OUT @ The ‘Sco

Come check out The ‘Sco TONIGHT, Tuesday March 12, for two killer acts:

band-to-watch-cult-of-youth

>>CULT OF YOUTH<<

2k13 neo-folk post-punk rockers from Brooklyn, NY. Record on Sacred Bones alongside The Men, Amen Dunes, Psychic Ills, and Zola Jesus. These guys have a new take on folk-punk in the 21st century, incorporating a sinister darkness with catchy, melancholy folk riffs. Vox like Calvin Johnson or Swan's Michael Gira. These guys are on the rise so don't miss out!

Have a listen

+++

a special performance from
>>BLK’D OUT<<

Local hardcore favorites return to The 'Sco for the first show of their new incarnation. No longer the BLK OUT of yesteryear, the group is now a tightened up four-piece featuring WOBC Engineer Ryan Caruso, TIMARA sophomore Noah Chevan, Jazz drummer extraordinaire Parker Hall, and vocal thrasher/art historian Eli Wright. These guys are sure to set the stage for the night and to rip up said stage at the same time. Don’t miss ‘em!

TONIGHT
THE ‘SCO
10 PM
$3 w/ OCID // $7 w/out