Leon Russell – Midnight Lover
Van Morrison and Your Dad
1 KENDRICK LAMAR good kid, m.A.A.d city
Election day is today, and we’re all writhing with excitement. Also, we listened to some good music today. Here’s the newest pop additions to the Pop WOBC Vault:
Prince Rama // Top Ten Hits at the End of the World
Party at the end of the world! Everyone’s invited! Prince Rama’s greatest hits album got tarred and glittered and then electrocuted itself during a bubble bath. Huge, glamorous production — so obsessed with itself…deprived of oxygen from too much hair gel. A+++
Onuinu // Mirror Grazer
Surprise! Chillwave is still not over. And I am totally OK with it, and all of that funky/fuzzy synthy bouncy poppy-pop that this CD brings to the party.
Why? // Mumps, etc
Partial raps, good beats, good vibes.
Deacon Blue – Real Gone Kid
Brainbombs – After Acid
Fishmans – Night Cruising
Jim Pepper – Newly-Weds Song
Lust For Youth – Cover Their Faces (Live)
Lou Reed – Like A Possum
I’m really into rap right now, probably a little too much. After last month’s A$AP Rocky concert, I can’t stop listening. It got to the point that my friends had to sit me down and remind me there is more music to be heard than solely Danny Brown. I realized I had to broaden my pallet; there is such a thing as overplaying an artist. But while staying within the confines of my beloved rap genre, I began to expand, listening to various other artists. In my expansion, I began listening to Kendrick Lamar. As his 2010 album, Section 80, was critically acclaimed, immense hype surrounded his latest release, good kid, m.A.A.d. city. I had to give it a listen. And though I can’t call it groundbreaking, “good kid, m.A.A.d. city” is nonetheless a great album.
Although I don’t agree that “good kid, m.A.A.d. city” is the instant classic it has been deemed by various music publications, it still is ultimately a success. The production is varied, encompassing pseudo- electronica and hard guttural beats, with Lamar effectively
With my “Lil Wayne is killing hip-hop” rant aside, I need to emphasize that, while I don’t view “good kid, m.A.A.d. city” as wildly original, it still is to me the best rap album of the year.
We Are the Catalyst and Crash Symbols in partnership with WOBC present:
“Dope Mountain Sound”
Crash Symbols is a casette label with headquarters in West Virginia and North Carolina. Founders Jheri Evans and Dwight and Liz Pavlovic efforts have gained the attention of publications such as WIRED Magazine, NBC, Altered Zones, Rebel Magazine and many more. Their extensive catalog features recording artists such as Blackbird Blackbird, Beggars in a New Land, SPORTS, Born Gold, Honeydrum, and MillionYoung.
We Are the Catalyst is an emerging network and publication with content generated entirely by and about young artists. The We Are the Catalyst website launches December 5th. Until then catch Catalyst Radio on the air, Thursdays 11am-12pm on WOBC 91.5 FM and check out the We Are the Catalyst Facebook page for media and information about these rising artists.
The 2nd WOBC showcase is coming up! It’s November 2nd, this Friday!
Cover bands rule, and you can make one with just a few easy steps. First, corral your friends, give them instruments and some wigs (optional), then think of a band name. This part is the most fun. Next, you’ll (probably) want to practice a few times, so you’ll make a big splash on the big stage. WOBC has some big shoes to fill after last year’s event, but this one should be a load of fun!
The showcase will start at 8PM, Friday @ Above Subway and will see 20 student cover bands including:
Creed Paradise II: Studio on the Park
and many more!
And here are some sample ideas for inspiration:
Cockblock Twins (Cocteau Twins)
Crosby, Pills, and Cash (Crosby, Stills, and Nash)
Juggalo Wrestling (Insane Clown Posse)
Smells Like American Spirits (Nirvana)
Steve Chiller Band (Steve Miller Band)
Email email@example.com for more info and be sure to come out this Friday to the 2nd Annual Cover Band Showcase!
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