Philly psych folk. this album, the weed tree, is comprised of covers of the likes of blue oyster cult and nico. this one covers Burt Jansch and takes his loopy picking to a synthesized fantasy realm. kinda nerdy but i don’t mind.
not as overdubbed as most of her vocal performances, yet still quite powerful. acid folk from PA. despite a lack of instruments, this song is able to build an intense and dynamic wall of sound. it never gets too loud, but it feels very loud.
Once again this is POP! workgroup coming at ya with a new half-semester’s worth of albums and EPs we added to the station’s collection. You can find these CDs on our New Pop Shelf in the broadcast room facing the couch! Feel free to take a gander and play them on your show (but please put them back!) : – ) Pop workgroup meets every Monday and Thursday evening at 9pm in the station – stop by if you’re lonely and wanna see some smiles. Here are some highlights:
Nick Hennies, Bromp Treb, and the Stranahan-Miralia duo are playing at Fairchild Chapel on March 17 at 9:30 PM. FB Event.
Why should I watch a man play nothing but a single snare drum for twenty minutes? Because that man is Nick Hennies.
Nick Hennies is about as versatile as someone who bangs on things for a living can get. Classically trained, he studied with renowned contemporary music guru Steve Schick at UC-San Diego. He then found himself in Austin, where he co-founded critically acclaimed band The Weird Weeds. Meanwhile, he also became known for his performances of experimental contemporary music by composers like John Cage, Alvin Lucier, Peter Ablinger, and even revered outsider artist Jandek. He’s also a composer in his own right. So saying Nick Hennies would be doing nothing but playing a single snare drum for twenty minutes is like saying you’d be doing nothing but listening to a single Pink Floyd album for twenty minutes. Yes, I am saying that a single snare drum can equal a Pink Floyd album in depth and complexity. If you’re not a huge fan of Pink Floyd, it will surpass it easily. Just don’t expect him to do any covers.
If Nick Hennies is the stoic liberator of hidden sounds, Bromp Treb is the court jester peddling the wonderful and weird. Perhaps you know him as a member of celebrated avant-rock masters Fat Worm of Error (Oberlin visitors just a couple years back). Bromp Treb is a surprise at every turn, a ritual-like hodgepodge of noises and dramatic gestures, mixed up so much until you’re not sure what is man and what is machine.