Come check out The ‘Sco TONIGHT, Tuesday March 12, for two killer acts:
>>CULT OF YOUTH<<2k13 neo-folk post-punk rockers from Brooklyn, NY. Record on Sacred Bones alongside The Men, Amen Dunes, Psychic Ills, and Zola Jesus. These guys have a new take on folk-punk in the 21st century, incorporating a sinister darkness with catchy, melancholy folk riffs. Vox like Calvin Johnson or Swan's Michael Gira. These guys are on the rise so don't miss out!Have a listen
a special performance from
>>BLK’D OUT<Don’t miss ’em!
The cover band showcase was great. Not only was it fun, but the bands seemed to have genuinely put some work into actually sounding good. I can’t say I had any favorites, but the Shakira cover band, Shakir A’neal sounded awesome.
After the show, I caught up with lead singer, Carla, and lead Guitarist, Maxim, and asked them a few cover band related questions:
Why did you choose to cover Shakira and how did the band name come about?
Max and Carla were sitting out in wilder bowl, postponing our midterm studying, and as soon as we started talking about the cover band show case, we immediately thought of Shakira. We knew the energy was right. There were really no other options, just Shakira. It was perfect. We asked a few passerby if they’d be in the band. None of them ended up in the band. But they were all extremely interested.
The band name is just a hybrid between Shakira and Shaquille O’neal. There’s really not much to it.
What songs did you cover and why did you pick those particular songs?
We covered “Wherever, Whenever,” the Spanish version of “Objection (Tango),” and “Hips Don’t Lie,” which medley-ed into “Underneath Your Clothes.” The first song was a given. For the second song, we thought it was necessary to do a true Spanish ballad, given that our singer was well versed in Spanish, and Shakira herself is practically fluent. “Hips Don’t Lie” was a crowd pleaser. And then Max was hanging with a Shakira fan late into the night at Tank, and she expressed the need for “Underneath Your Clothes.”
What was your general impression of the cover band showcase and how did you feel about your performance?
Wow! Wow! Wow! We wished that we could be more aggressive in the venue, but given the floor was nearly breaking, we understood that this wasn’t an option. Other bands were great. [We] couldn’t hear any vocalists. Maroon Four killed it. We really messed up “Hips Don’t Lie,” but the crowd was too drunk to care, so that was awesome.
Will we see Shakir A’neal again?
You’ll definitely see us hanging out on campus. And we might not all be together again, but individually you’ll definitely see us.
The 2nd WOBC showcase is coming up! It’s November 2nd, this Friday!
Cover bands rule, and you can make one with just a few easy steps. First, corral your friends, give them instruments and some wigs (optional), then think of a band name. This part is the most fun. Next, you’ll (probably) want to practice a few times, so you’ll make a big splash on the big stage. WOBC has some big shoes to fill after last year’s event, but this one should be a load of fun!
The showcase will start at 8PM, Friday @ Above Subway and will see 20 student cover bands including:
Creed Paradise II: Studio on the Park
and many more!
And here are some sample ideas for inspiration:
Cockblock Twins (Cocteau Twins)
Crosby, Pills, and Cash (Crosby, Stills, and Nash)
Juggalo Wrestling (Insane Clown Posse)
Smells Like American Spirits (Nirvana)
Steve Chiller Band (Steve Miller Band)
Email email@example.com for more info and be sure to come out this Friday to the 2nd Annual Cover Band Showcase!
Sporting the playful moniker Beards and Bass, this Oberlin quartet has been seen and heard playing hot club jazz (or gypsy jazz) tunes on a regular basis around campus and in town, including at the twice-monthly Observatory Open House events on the rooftop deck of Peters (pictured above).
On April 9th, WOBC jazz director Adam Hirsch invited the group into Studio B to play live on his show, Shades of Blue. You can listen to the three classic standards they played below. Fans of Django Reinhardt will be right at home.
Last week, the Oberlin Improvisation and Newmusic Collective (affectionately known as OINC) hosted CarnivOINC: a series of lectures, workshops, and concerts on campus, focusing on the art of improvised music. Visiting Professor of Electronic Music Per Bloland, Director of OINC, organized the five-day event, and helped to bring professional improvisers to campus to work and perform with students. These special guests included duo Tim Feeny and Vic Rawlings, duo Mike Strauss and Dana Jessen, duo Mike Bullock and Seth Cluett, and local musician Aaron Dilloway (founding member of the noise group Wolf Eyes).
From Tuesday through Saturday, the visiting improvisers worked in various capacities with Oberlin students, members of OINC, and community members. Public workshop events included an electroacoustic instrumentation and hardware workshop with Vic Rawlings, and a lecture entitled “Rehearsal Techniques of the BSC” given by BSC members Rawlings and Tim Feeny. The visiting professionals also worked privately with OINC members and TIMARA students in rehearsals and workshops throughout the week, showing examples of their work both inside and outside the realm of improvisation.
The first CarnivOINC concert took place Wednesday night in Fairchild chapel. The show began with a set from Feeny and Rawlings, and was followed by a set from the duo with eight members of OINC. Thursday night’s show featured one set from Mike Strauss and Dana Jessen with seven members of OINC, and Friday night’s show featured a set from local ensemble WAM (Women’s Art Music), followed by a set from Mike Bullock and Seth Cluett with seven members of OINC. Saturday night’s concert was the CarnivOINC grand finale, beginning with a set by Aaron Dilloway with nine members of OINC, followed by two sets from Dilloway with the OINCestra, which featured every member of OINC alongside all of the event’s visiting guests.
On March 15 at 7:00pm, WOBC will broadcast a concert directed by the new Director of Orchestras for the Oberlin Conservatory of Music, Raphael Jiménez. Tune in at 91.5FM in Lorain County or listen online.
The program features excerpts from Maestro Jiménez’s debut with the Oberlin Chamber Orchestra: Schubert’s Unfinished Symphony and three movements from the Shostakovich Violin Concerto No. 1, featuring violinist Nathan Lesser, currently a senior at Oberlin. It was originally aired on WQXR New York as part of the McGraw-Hill Companies Young Artist Showcase.